Ashcombe Journal · AB/LAJ/1909–1913 (Private) · Transcript
Ashcombe Journal
Cloth bound · Spine label: “1909–” · No end date
A new book begun. The last volume (1907–09) is full and shelved with the others. Money low. Work none. Rain all day.
Answered two advertisements: copying work; clerks wanted. Nothing likely.
Walked to the registry office. My boots leak. The clerk took my particulars and said there is little call for men like me “at present.”
Sold the good umbrella. Kept the pen.
Quiet streets. I wrote to her — kept it short.
Still no work. Funds running low. If nothing turns, I may have to leave these lodgings.
Wrote to three firms. The landlord allows a week's grace.
Saw an advertisement in the Morning Post: “Assistant required for confidential literary work.” Applied at once. Perhaps fortune turns.
Application accepted. To Windsor next week. They say the gentleman is Lord Esher. I wonder if this will be the making of me.
Moved to smaller rooms near Victoria Station. Damp walls, but cheap. I miss the old place. Wrote to her — no reply.
First impressions: Esher is all polish and command. Speaks as if the world were his committee. I fetch proofs, log letters, keep the fire stoked.
Kensington papers in; Windsor packets out. They call them “the girlhood journals.” I carried a parcel as if it were glass.
I glimpsed a sheet — her hand neat as pins. They say she began at thirteen and kept it daily. Better than I could ever do.
Workmanlike morning. Afternoon of sorting. Many fair copies carry small pencil strokes in the margin — economies for “space.”
Wet and wind. A clerk chuckled over a line about shoes pinching. The pencil beside it reads: OMIT — space / trifles Odd to strike out such harmlessness.
Rain again. Walked to the station for a parcel and thought of her. I wonder if she kept the little book I gave her. Foolish. More “space” cuts today: ribbons, a dog in the garden, a remark about prints.
A note circulated: “Maintain tone.” Another: “Domestic detail to be judicious.” The pile of struck leaves grows.
Changed lodgings — closer to the office. The landlady is kind enough. I miss the quiet of Croydon. London presses in like a tide.
Heard Esher say, lightly: “We shape memory.” As if truth were clay.
A margin reads: OMIT — criticism of ceremony I only saw the tail of it — something about a herald swallowing her style and titles. Why cut that?
Edward VII is dead. Streets hushed like a church. I remember Victoria’s Diamond Jubilee bonfires in ’97 — how the sky in Croydon burned red and we cheered ourselves hoarse.
More pencil: OMIT — quotation / space Scruple over space, or something else?
A sharper hand now appears in the margins: OMIT — ministerial dependence / compromises Crown Not trifles. I turn the leaf back the moment footsteps sound.
Waste bundle for pulping — loose leaves, typescripts, a wrapper split. A few sheets slid free. I tucked them into my waistcoat and moved on.

In my room, I laid them out: twelve leaves covering twenty-four days after the accession — 20 June to 13 July 1837. The days are ordinary, which is why they matter.

The pencil speaks plainly:

  • OMIT — party management via Household; compromises Crown; assent.
  • OMIT — ministerial dependence / compromises Crown.
  • OMIT — whole entry; space / domestic particulars.
  • OMIT — from ‘I sometimes think’ to end; morbid reflection / decorum.

And at the end, a working note mapping a chapter break: Household now constituted; complexion conforms to Melbourne’s Ministry. Melbourne, in effect, acts as Private Secretary and Tutor; political schooling begun; public voice proved. Divide for phases.

Most arresting of all is a line in the Queen’s own hand about her Household: thanking Lord Melbourne for helping set it in order; knowing it is dangerous to him; promising no word shall be let out. The pencil beside it is unequivocal: OMIT — avowal of minister’s role in Household; compromises Crown; pledge of secrecy

Very interesting. I feel I have stumbled into a room where history whispers behind closed doors.

I have read the twelve leaves three times. What seemed harmless — ribbons, shoes, the dog — was a screen. The real cutting is elsewhere: the Household made to match the Whigs, the reliance on Melbourne named, the pledge of silence.
If this were known, the beginning would read differently. And later — when Peel made the Bedchamber a condition of office in 1839, and Melbourne stood behind the Queen — how sharp the irony would bite.
I sleep poorly. I keep the leaves wrapped in brown paper under the board in the hearth.
Wrote to her — no reply. I am not attending as I should at work. Twice today I mislaid a docket.
Snow on the sill. I copied names till my fingers cramped. A clerk joked that I court penance. The joke landed.
Coronation of George V. Flags everywhere. I watched the procession at the edge of the crowd and thought of her. And of the girl in the leaves who walked from Kensington into office and men.
Esher in high spirits; chapter plans marching. I kept my head down.
Dismissed. “Reduction.” Perhaps they guessed my curiosity. Perhaps not. I wrapped the leaves tighter and went out into the heat.
I wish things had worked out as we planned… but she is gone now. I cannot write more of it here.
News of a great ship lost — Titanic sunk. London murmurs in doorways. By the river I thought of the Queen’s steady hand on those summer days, and of the cost of neatness.
New post at Berry Bros. & Rudd. Cellars like catacombs; ledgers older than I am. A small room off St James’s — colder, but paid.
Bought The Girlhood of Queen Victoria on credit. Turned the pages with a pounding heart. As expected, what the pencil forbade is absent. The pledge of silence is nowhere. What made it into the book is clean. The rest — what I hold — would strike like a hammer.
I cannot keep these papers. If found, I should be ruined. Yet to burn them feels like murder.
Down in the cellars I slipped the twelve leaves into an archive marked Miscellaneous Correspondence. Between a sheaf of invoices and a letter about rum. No one will look there. I felt a pang, as if burying a friend.
Berry Bros. have let me go. “Not a fit.” How shall I get through the winter? The streets are iron with frost.
Single room above a cobbler’s store. Draught under the door; smell of leather everywhere. Sold two books to pay the rent. The streets are grey and endless.
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